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注册时间: 24/11/2021 03:25:30
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Unfortunately, many of Diana’s best Chanel moments came after her exit from the royal family, and Spencer’s story plays out during a period where courtiers controlled her wardrobe. “There were all these restrictions to consider,” says Durran. “She wore more Chanel later in life than during the late ’80s and early ’90s.” The royal dress code, which contains rules about everything from hem lengths to nail-polish colors, couldn’t be ignored. Still, when Durran happened upon the film’s pièce de résistance, a strapless gown from Chanel’s spring 1988 haute couture collection, she wasn’t about to change it. “Initially, I was worried we’d have to add sleeves and hide her arms because of the protocols,” she says. “When I had the fitting with Kristen and Paolo in London, she put it on and it was just so great, the perfect look for an extremely glamorous princess. We hadn’t even planned to use it green bay packers jersey for such a large chunk of the movie, but it was just too good to pass up.”  
Adorned with pleated tulle ruffles, an appliqué satin belt, and a delicate frieze composed of fabric florets, the gown was appropriately opulent. Still, after more than 30 years in the archives, the original was far too fragile to function as a costume. “It was too precious—you couldn’t even take it outside,” says Durran. “Thankfully, Chanel came back to us and said they could completely replicate the piece.” It took 1,034 hours—700 devoted solely to the intricate embroidery—to duplicate the couture look. With five seamstresses in Chanel’s atelier working nonstop, they were able to turn the project around in just under a month. “We’re indebted to them,” says Durran. “They had almost no time and were able to recreate every detail. In the end, the only difference was that the new version fit Kristen even better than the first.”
Though it wasn’t the only piece recreated for the film, the couture gown features prominently in the final cut and its poster, which shows Diana crumpled on the ground, her body shrouded in layers of tulle. For Stewart, the couture reflected Diana’s privileged yet unhappy existence. “It’s heartbreaking how gorgeous it was,” she says of the look. “We went through the archives thinking, What is the dress? [And] it was so undeniably the right one. To see someone on the bathroom floor in such a dress is truly heartbreaking. You can’t imagine someone being unwell in a dress [that is] so spectacularly beautiful, unique, and one of a kind. I have such jersey green bay packers nostalgia for it. Usually, I don’t have an emotional reaction to my movie posters, but every time I see Spencer’s, it makes me want to cry.”  
For Durran, helping to facilitate such powerful responses from Stewart was the costume design’s primary role.   “My work is supporting her as an actress,” she says. “Watching the final movie was overwhelming because the only thing I wanted was for my work to give Kristen all she needed to achieve her performance. I believed in her so much, and she’s mesmerizing as Diana.”  
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